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Anatoly Ivanushkin
Meet: Sergey Zagraevsky, the creator
of the Artists trade union
2001
Published in Russian: Газета «Наша жизнь», № 9 (233), 2001 г.
FALL OF THE LEAVES
70x100 oil, canvas
2000
Attention!
The following text was translated from the Russian original by the computer program
and has not yet been edited.
So it can be used only for general introduction.
I met with the artist Sergei ZAGRAEVSKY on one of
his solo exhibitions at the Central House of Artists. However, this acquaintance was shaposhnoe. I had to write about the exhibition in the
"People's Gazette, but limited survey of paintings and writing the opening
words of the artist before the opening. I just shook hands with him,
introduced themselves, but to ask him about anything did not start billing me
and lacked experience. But then suddenly out of newspapers and TV, I began to recognize
that ZAGRAEVSKY - more than the artist. Immediately to mind
evtushenkovskoe - "a poet in Russia is more than a poet", that is an
artist in the broadest sense. ZAGRAEVSKY - organizer. More precisely, the founder of
the Professional Union of Artists of Russia. This is the second. ZAGRAEVSKY more Christian
theologian. This -
the third. A member of the Writers' Union - in the fourth. This is bearing in mind today. And if you look into his past,
then he was (a line from the biography does not throw) and Komsomol workers,
and a programmer, and even ... psychic. Through hardship, he rushed to
the stars. This is not an exaggeration,
because in a single rating of contemporary artists and masters of XVIII-XX
centuries, it has categories for, which means "professional artist with an
individual handwriting, demanded art market and the public. He already stands in the highest
part of the rating, but he only 37 years.
- A mature part of a person's
biography begins with the Institute. You are famous painter, did not
graduate Surikov not Stroganovki, but ....
- Moscow Automobile and Road. He studied for a degree in
automatic control systems. I gave in to pressure parents,
who believed that a child needs a practical education. And in the eighties it was
synonymous with technical. It's funny how much has changed
since the specificity of professions! Now a practical education - is
the economy, finance, law, but certainly not a science and technology. What is now the famous
cordially, that Bauman? Probably the same thing with
ballistic missiles and submarines - quietly rusting and falling apart ... The fact that human destiny is
subject to huge number of accidents, it is difficult to argue, if, of course,
are no longer God's predestination, or "working out of karma. And in 17 years, when a person
finishes school and before it raises the question of choosing a profession, his
destiny is usually determined absolutely continuous chain of unpredictable
events. There are, of course, the lucky
ones who choose my career at 14 years (for example, the poet Andrei Voznesensky
- so he wrote in his memoirs), but not many. Personally, I have not seen such
himself certainly was not.
- Your line of fate can be
called exotic. You have tried many things in
life to stay on the ball. Could you recall the dashed past
passions and hobbies?
-
About the MADI I mentioned. Komsomolskaya "career"
began in the institute with a public office fizorga. I chose it, probably because of
the extremely small number of males in my group I was most suited for this role
- gradually made themselves felt dumbbells, which I got carried away. Then, with no fright ran up the
latest at the district competition, I was encouraged to sport the new post of
chairman sportsoveta faculty. And in the beginning of the
third course has been "democratically elected" to the committee of
the Komsomol MADI responsible for sport and mass work.
I confess that I consciously become
"an active member of the Komsomol" to have a chance to get a decent
distribution after graduation. And got - I left the department.
Rolling to work in
"mailbox" I had no desire. I even defended - a degree of
candidate of technical sciences, but this was not at once, with a delay of a
year when I had this degree was needed, as dead poultices. My grandmother Lydia V.,
however, was happy that his grandson has learned ...
The
Business then get carried away. With varying success, but soon
broke out in 1998 - default.
- The "Skin" psychic
really been?
- Ugorazdilo. Once acquainted with Arcadia - a professional psychic who worked in the same firm as consultant to the miracle.
From him I learned that all
objects and elements, including a man with his mind, psyche and spirit - a
certain energy structures of varying complexity. The man has seven energy centers
or chakras along the spine.
Level chakras increases upward. Every person has preferred? energy, but, for example, on one
or two lower chakras are able to "work" all, and then - on the level
of development. The greatest fortune-tellers
such as Wangi were able to work, at least, on the fifth level. This theory.
Arkady has taught me several
lessons learned "immersion", ie entry into the state of astral
vision. I learned how to move the
"look" matchbox or swing pampas, a little up in the air.
But the psychic All the same, I
avoided. It required much time, effort. Become a great psychic as
something not in my plans and dreams.
- And finally, how do you become
an artist? Do not
suddenly then?
- Under the leadership of
painting, I father an architect and a great Russian artist Tatyana 'Mavrina
began to study very early. Father Wolfgang Volfganovich,
like most graduates of the Architectural Institute, had a great schedule set by
hand. When he was without any line
drawing huge sketches of churches, took away my breath. And the animals, which he just painted on small sheets of
paper, we then hid with his mother and collect. Not only that they were written masterfully -
even in them the soul was present. So from childhood I had a
wonderful art teacher. And my "career as a
professional artist began in 1992 when I published my first postcard.
My mother Inna, already a Ph.D.,
and professionally engaged in literature. And somehow, releasing a
collection of his plays, she asked me to draw a picture for the cover. Step one of the play takes place
in Lithuania, so I painted a watercolor drawing on a piece of drawing paper
Lithuanian castle.
When we were preparing my image
to print, it became clear that it looks like a postcard. Then my "Autumn", and
I asked on the reverse side of a postcard-type author's name and title of the
painting. Stuck, we not then all copies,
and two hundred cards in the end I have left. Then I issued the same printing
plant a few types of cards, original watercolor painting in an almost full
size. I tried that in the end it was
like a reproduction of oil, but he wrote in watercolor on Whatman paper, for
such a picture is wholly placed in a scanner and a color depth is not lost on
those days when retake not as good as the slides. So I developed a specific style
in watercolor - "deaf" fill, without radiographic paper, and a dense
overlay of colors.
- In painting, you are a
representative ...
-
Naive Art. He paid tribute to Henri
Rousseau, Niko Pirosmani. My naivizm, as critics say, is
rooted in childhood. Maybe because people are now
seeking a bright and good, tired of the blood, eroticism and concrete.
You have visited only one of my
show, just as was held in Moscow six of my personal exhibitions, including
three in the Central House of Artists, and one - in the Manege.
- You are the creator of the
Professional Union of Artists. Tell us about it.
- It was formed in February
1999. The purpose - protecting the
rights of artists. The union shall not engage in
exhibition activity, especially - to legal protection, to make sure that no one
attempt on his right. The union has helped many, work
in this area abound.
Another activity of the
Professional Union of Artists - care about earning professionals. I initiated the release rate
artists. These artists are dying of
hunger, and hacks - are flourishing. So, rating, compiled by
well-known art critics, all put into place. Talented artist must have its
price. Rating gives the viewer, buyer
tools, scientific approach to the evaluation of a painting or sculpture.
My rating has already passed
through three editions. In fact, all artists have
recognized him. There have been comments, some
suggestions. Much has been taken into account
in its latest issue.
P.S. author of the article A.
Ivanushkina:
More than once I have been
visiting Bulat Okudzhava. Interviews with him were
published in "People", in other publications. During the last meeting, shortly
before his death he gave me about the artist devyatistishie ZAGRAEVSKY.
Tomorrow
is with whom
Drink whiskey
Think of the art eternal.
Well, of course, with
ZAGRAEVSKY,
From
naivistom most vernal.
When
he wrote the picture,
God
has his hand moves.
God - always his assistant.
Here's a Sergei artist.
B. Okudzhava.